Nashville multitrack and mobile recording

Superior vocal microphone that brings studio sound to the stage.

The LSR-3000 represents the top of the line of our long heritage of condenser microphones for stage use. It is an extraordinary microphone for demanding live applications. Based on the capsule from the famous VM-44 system in a body made for a hard life on the road. It is insensitive to hand noise, has excellent feedback rejection and can handle a staggering 150 dB!

A great voice needs a great microphone. The Milab LSR-3000 is up to the task!

Cardioid pattern

Transformerless

Shock absorbing rubber fitted capsule

Insensitive to hand noise

Built-in pop protection

Gold-plated XLR connector

1. 12 dB switchable pad
2. 80 Hz switchable high pass filter
3. Capable of handling up to 150 dB

The hand-made small diaphragm condenser capsule is wonderfully transparent and handles fast transients and high frequency content like few, if any, competitors. It has a beautifully straight frequency curve with a presence peak around 10 KHz which makes it ideal for almost any sound source, but especially for acoustical instruments where it absolutely shines.

The VM-44 is just as home in a studio as on stage, and thanks to its small size it’s easy to place exactly where you want it without being in the way. The natural sound and discreet appearance have made the VM-44 range very popular among TV studios around the world.

The -12 dB pad ensures high SPL handling, and if cardioid is not the pickup pattern you need, the capsule is easily unscrewed in a few seconds and can be replaced by an omni capsule.

Comes standard with clip and 3m extension cable.

The hand-made small diaphragm condenser capsule is wonderfully transparent and handles fast transients and high frequency content like few, if any, competitors. It has a beautifully straight frequency curve with a presence peak around 10 KHz which makes it ideal for almost any sound source, but especially for acoustical instruments where it absolutely shines.

The VM-44 is just as home in a studio as on stage, and thanks to its small size it’s easy to place exactly where you want it without being in the way. The natural sound and discreet appearance have made the VM-44 range very popular among TV studios around the world.

The -12 dB pad ensures high SPL handling, and if cardioid is not the pickup pattern you need, the capsule is easily unscrewed in a few seconds and can be replaced by an omni capsule.

In the world of microphones the Milab SRND 360 represents a small revolution. It enables high quality recording in 5.0/5.1 and 6.0/6.1 surround sound with just one microphone.

The Milab SRND 360 is built around three matched DC-196 rectangular capsules. These capsules are used as cardioids and placed at 120° to each other. By combining the signal from two adjacent cardioid capsules, a virtual output is created in between them.

The SRND 360 combines its three real capsules and three simulated capsules in different configurations to produce six individual cardioid outputs at 60º to each other. These outputs can be used in a wide variety of stereo, multichannel and surround formats.

The DC-96B gives a full bodied, exceptionally clean sound with natural brightness.

Superb large membrane multi-purpose capsule microphone for vocal or instrumental work.

Cardioid pattern

Rectangular large dual membrane capsule

Shock absorbing rubber fitted capsule

48 V phantom power operation

Gold-plated XLR connector