Gear
Below is a list of gear we use to capture your event or provide post-production services.
SPLITTER SNAKE SYSTEMS:
24 CHANNEL 3 WAY TRANSFORMER ISOLATED SPLIT WITH EDAC MULTIPIN DISCONNECTS BUILT AROUND (3) PROCO MS-83B BOXES (8 channels each).
AVAILABLE TAILS are 15’, 75′ and 100′.
FULL MULTITRACK RECORDING SETUP:
(1) ALESIS HD24 – 24 channel multitrack recorder
(3) AUDIENT ASP 008 – 8 channel 96khz preamp with ADAT and AES I/O
(1) LUCID GENx192 – 192khz capable digital master clock
ADDITIONAL PREAMPS / INTERFACES / RECORDERS:
AUDIENT MICO – portable 2 channel preamp with A/D conversion
FOCUSRITE SAFFIRE PRO 14 – firewire computer interface
METRIC HALO ULN-2 2D – firewire computer interface
SONY PCM-R500 – professional DAT recorder for tape transfers
DENON DTR-720P – professional cassette recorder for tape transfers
SOUND DEVICES 702 – 2 channel portable recorder
MICROPHONES:
(2) NEVATON MK49 – dual diaphragm small cardioid condenser microphones (2 stereo pairs)
(1) NEVATON MK401 – shotgun microphone
(1) STUDER SKS 501 U – multipattern stereo microphone (mfg. by Schoeps)
(1) SUPERLUX S502 – ORTF stereo cardioid condenser microphone
various other dynamics and condensers available as well
MONITORING:
SPENDOR SA300 – pair near field mixing monitors
EUPHONIX MC MIX (x2) and MC CONTROL V2 – control surfaces
SOFTWARE AND MIXING:
PRO TOOLS 9
REAPER 4
and other software for recording, mixing and mastering.
Plugins include:
WAVES RENAISSANCE
MASSEY
BOMBFACTORY
JOEMEEK
IZOTOPE OZONE 3 and 4
TRILLIUM LABS
MELLOWMUSE ATA
PC AND MAC capable
All Mixing and Editing done on a MAC PRO
Dual 2.66ghz dual core Xeon processors with 8gb RAM
INSTRUMENTS:
1971 GIBSON SG
1997 FENDER STRATOCASTER
2001 PAUL REED SMITH McCARTY
AMPLIFIERS:
FENDER PRO REVERB
GIBSON GA-15 GOLDTONE
MESA BOOGIE 50 CALIBER